In May 2012, Feige said that the project was "as close as it's ever been" while Wright teased the film by tweeting a pictogram of Ant-Man.[80] In June, Wright spent just under a week shooting footage for a reel that would be used to test out the potential look and tone of his movie, as well as to decide how convincing Ant-Man's powers look on screen.[81] The test footage was screened to audiences during the Marvel Studios panel at the 2012 San Diego Comic-Con International, with Wright confirming that Ant-Man would be happening.[82] Germain Lussier of /Film felt the footage worked and was "awesome", as "it had a totally different vibe from the other Marvel films. It was much more like something you'd recognize from Hot Fuzz."[83] Lussier, along with Katy Rich of CinemaBlend, also enjoyed the costume design choice.[83][84] Reed said the costume design was influenced by Asian tokusatsu superheroes such as Ultraman and Inframan.[85] That October, Disney scheduled the film for release on November 6, 2015.[86]
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In August 2013, after Joss Whedon, director of Avengers: Age of Ultron, announced that Hank Pym would not be Ultron's creator, Wright said Ultron was never a part of the story of Ant-Man,[92] explaining that "just to sort of set up what Ant-Man does is enough for one movie".[93] Wright described Ant-Man as a stand-alone film but said it would fit into the larger continuity of the Marvel Cinematic Universe, explaining, "I like to make it standalone because I think the premise of it needs time. I want to put the crazy premise of it into a real world, which is why I think Iron Man really works because it's a relatively simple universe; it's relatable. I definitely want to go into finding a streamlined format where you use the origin format to introduce the main character and further adventures can bring other people into it."[94] Wright also stated that pre-production for Ant-Man would begin in October and filming would begin in 2014.[95] The next month, Disney moved the film's release date up to July 31, 2015.[96]
In October 2013, Wright revealed that he was in Los Angeles to work on Ant-Man by tweeting a photograph from the production of the June 2012 test reel.[97] Joseph Gordon-Levitt and Paul Rudd were soon being considered for the lead role,[98] though Gordon-Levitt dismissed his consideration as a rumor.[99] Feige stated that Ant-Man would be a "heist movie", and that a casting announcement for Hank Pym would come before the end of 2013.[100] The next month, Feige stated that Eric O'Grady's Ant-Man would not be featured in the film,[101] while Rudd became the front-runner to play Hank Pym, and casting for the character's girlfriend had begun.[102] Around that time, the filmmakers' intentions to shoot in the United Kingdom were dashed because of a lack of studio space, which Wright believed was due to the plan by Pinewood Shepperton to add fifteen studios to their facility, which was rejected in part by the local council in May 2013 because the project was eyeing protected land.[103][104] By the end of the month, the film was scheduled to be shot in the U.S. instead.[105]
"Ant-Man is interesting because he was one of the original Avengers, which I think people forget about. So, I like that idea in the movie universe... I also like that it's this sort of passing of the torch. There's sort of a weird mentor / pupil thing happening between Michael Douglas' character Hank Pym and Scott Lang, which Paul Rudd plays. Hank Pym used to be old Ant-Man and he is trying to find someone to be the new Ant-Man. I like that. I think that's sort of a classic Marvel Comics thing and something that we really haven't seen in that universe."
On May 23, 2014, Marvel and Wright jointly announced that Wright was leaving the project due to "differences in their vision of the film", and that the studio was closing in on a new director.[122] On the split, Wright said, "I wanted to make a Marvel movie but I don't think they really wanted to make an Edgar Wright movie." He also added that at one point, Marvel wanted to do a draft of the script without him, which was "a tough thing to move forward" as Wright has written all of the previous films he directed. Wright continued, "Suddenly becoming a director-for-hire on it, you're sort of less emotionally invested and you start to wonder why you're there, really."[123] The majority of Wright's crew also left the project in the wake of his departure.[123][124] By May 30, Adam McKay had entered negotiations to replace Wright,[125] but he pulled out of negotiations the next day out of respect for Wright, who he was friends with.[126][127] On June 7, Marvel announced that Peyton Reed would direct the film, with McKay contributing to the film's script;[6] McKay felt this was the perfect result since he would not be replacing Wright, but was able to help Rudd, who he was also friends with.[128] Other directors that had been under consideration include Ruben Fleischer, Rawson Marshall Thurber, Nicholas Stoller, Michael Dowse, and David Wain.[129][130][131][132]
Later in June, Feige stated the film was still intended to be released on the July 17, 2015, date, with production slated to begin on August 18, 2014.[133][134] Feige elaborated that "much of the movie will still be based very much on [Wright and Cornish's] draft and the DNA of what Edgar has created up to this point", with Reed stepping in to direct and McKay reworking only parts of the script. "[Reed] wanted to be sure that he wasn't just inheriting something or following someone else's lead. Or wasn't inheriting something that the evil studio had watered down to be something bad," Feige continued. "He looked at everything, he talked with us, and he said 'Number one, I agree with the direction you're going in. And number two, I can add to it.'"[135]
Following the completion of principal photography, Marvel released an updated synopsis revealing that Jordi Mollà was included in the cast and the names of several supporting characters.[34] However, Mollà subsequently did not appear in the theatrical release of the film. Reed explained that the film's original opening, which was filmed and cut in the editing process, featured a standalone sequence similar to the opening of a James Bond film, where an unseen Pym was attempting to retrieve some microfilm from Mollà's character, Castillo, a Panama army general. Reed stated the scene was going to show Ant-Man's powers, without seeing him, almost "like an Invisible Man sequence, and it's really, really cool. It started to feel tonally disconnected from the movie we were making and story-wise, and it also kind of like, it set a standalone adventure, but it didn't just connect to the rest of our story...It felt like vestige of those earlier drafts [by Wright and Cornish], which as a standalone thing was really cool."[160] Dan Lebental and Colby Parker, Jr. served as film editors.[35] In March 2015, Hayley Atwell confirmed that she would reprise her role as Peggy Carter in the film.[50] In April 2015, Reed stated that the film was not completed yet and would be undergoing "a little bit of additional" filming.[161]
Method and Luma both worked on creating the various ants seen in the film, with Method creating the several species of ants, to share among the vendors. Luma also handled many of the scenes at Pym Technologies when Ant-Man attempts to acquire the Yellowjacket. ILM worked on the Falcon fight sequence, having done Falcon visual effects in The Winter Soldier. Using practical suit pieces built by Legacy Effects, ILM mixed live-action shots with digital take-overs and fully digital shots to create the sequence. ILM also handled the sequences in the quantum realm, providing an array of microscopic and largely psychedelic imagery for the subatomic shrinking, taking advantage of procedural fractal rendering techniques the studio had utilized on Lucy.[158]
In February 2014, Wright announced that Steven Price would score the film.[117] However, Price left soon after Wright's departure from the project in May 2014.[124] In January 2015, Christophe Beck, who worked with Reed on Bring It On, was hired to replace Price.[172] Describing the film's score, Beck said, "For Ant-Man, I wanted to write a score in the grand symphonic tradition of my favorite superhero movies, with a sweeping scope and a big, catchy main theme. What makes this score stand out among other Marvel movies, though, is a sneaky sense of fun since it is, after all, not only a superhero movie, but also a heist comedy."[173] Hollywood Records released the soundtrack digitally on July 17, 2015, and had a physical release on August 7.[174]
In April 2015, Marvel debuted a second trailer for Ant-Man. Mendelson said it was "frankly the Ant-Man trailer that we've been waiting for. It's not just funny and exciting, it's an 'Ah ha!' moment when we realize just what exactly an Ant-Man movie has to offer."[185] Also in April, miniature billboards promoting Ant-Man with battery-powered LED lights began appearing in Melbourne, Brisbane and other areas around Queensland, Australia as part of a street marketing campaign for the film.[186] The next month, Marvel, in partnership with Dolby Laboratories, Visa, and Raspberry Pi, announced the "Ant-Man Micro-Tech Challenge", aimed at females aged 14 through 18, to create DIY projects involving micro technology and readily accessible and found materials. Winners teamed with STEM (Science, Technology, Engineering, and Mathematics education) programs in their areas to lead teams in recreating their projects.[187] In June, Marvel released posters featuring Ant-Man juxtaposed with Iron Man's armor, Captain America's shield, and Thor's hammer Mjolnir. Mendelson compared this to Disney's marketing campaign for Lilo & Stitch that put the protagonist into iconic scenes from other Disney cartoons.[188] A six-minute IMAX preview of the film began screening before showings of Jurassic World,[189] and scenes from the film were shown at Disney California Adventure's Bug's Life Theater in 3D with in-theater effects.[190] 2ff7e9595c
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